Thank You

You guys are the BEST.  Thank you for your quick forgiveness on my blunder for the opening number yesterday.  *facepalm*  Grrrrrr!  I'm so mad at myself for messing that up, and my deepest apologies to Lindsey.  She worked so hard on creating that musical interlude part.  Without the music, it was just an......interlude.  HowEVer, you all carried on so well!  The marching kept the beat superbly, and you all kept smiling and dancing.  You sounded great too.  I'm so proud of you all!  Thanks for making my mistake look so good!

Thank you also for the flowers, and for loving us more than Ramen Noodles.  I absolutely adored that part!  *giggle*

You are all my favorites!!!

~ JLG

P.S.  Anyone else going through Kilroy withdrawal yet?  Can't wait for the cast party on the 10th.  I wouldn't miss it for the world!

GREAT JOB EVERYONE!!!

I'm so proud of you all I could just bust!!  You guys each did a spectacular job!!!

Let's keep it up for tonight's and tomorrow's shows!!!

-CLS

Shout-Out!!!

WOOT!! WOOT!!

Fantastic!  Incredible!  Remarkable!  Wonderful!  Astonishing!  Marvelous!

So great tonight, everyone--so great!!  Best ever!  One of my friends said it didn't seem like our opening night at all.  It was jumping-up-and-down-clapping good!

Also, in case you missed the radio spot Friday morning, here's a link:
http://www.radiop1.com/mediacenter.aspx?stationid=37&
Click on "WTCH Breakfast Club".  The spot is quite long!  (There are some commercials sprinkled throughout.)

~ JLG

Schedule for Friday, April 27

I know it's kind of late to post this, but I thought I'd go ahead and do it in case it would help any of you.

3:00 - Begin hair & makeup
5-5:30 - Everyone check out lobby, go over bowing order, Slap that Jukebox sound check
5:30-6:30 - Eat, finish hair & makeup, etc.
6:40-6:55 - Group gathering, prayers, etc.
6:55 - 7:00* - Get in places, opening announcements, intro music
7:00* - Open Curtain
Act One
15 Minute Intermission
Act Two
   Veterans Tribute
   Ovations
   Receiving Line
Brief Mtg in Auditorium after guests have left
Dismissal

*We might need to be a little flexible on the time of our curtain opening if audience members are still arriving.

Help Still Needed During Performances

We still need dads or older brothers to help with the flag during the veterans tribute.  Ideally, we should have 3 for each performances.  This is what we have:

Thursday:  Matt Neil
Friday:      Tom Bergmann, Matt Neil
Saturday:   Matt Neil
Sunday:     Matt Neil, Don Schinke

Please let us know if you can help!!!

Also, we need someone to sit with the Harmony Brothers on Saturday night.  You would have some slight responsibility during the Veterans Tribute.  This is what we have:

Thursday:  Lisa Bergmann
Friday:       Lisa Bergmann
Saturday:
Sunday:      Rosie Torrez

We need someone to sit with the Tiny Tappers on Sunday.  (You may have to help move scenery a couple of times).  This is what we have:


Thursday:  Marcena Neil
Friday:      Cheryl Jones-Ritter
Saturday:   Lori Pedersen
Sunday:  

From Mrs. Holbrook

Here is something I forgot to remind all of you on Tuesday.

From Thursday thru Sunday please refrain from consuming:

Dairy products: Why? They create mucus, coat the throat, and restrict the vocal cords.

Orange juice: Why? It has the same effect as dairy products.

Caffeine: Why? It gives you the jitters and it's stimulant effect only lasts a short time.

Sugar: Why? It gives you limited energy. You'll feel okay for awhile, but half way thru the show you will crash! All you'll want to do then is go home and go to bed.

Soda: Why? It contains sugar & some of them contain caffeine.

Parents, please let your kids sleep in on Friday and Saturday mornings. They are going to need it! Early to bed on Thursday night, too!

Mrs. Green added:

A greasy burger or french fries will also coat your throat.  Beware of fast food for at least three hours before warm-ups.

Drink warm honey water if your throat is getting scratchy or sore.  Use 1 Tbsp of honey per 8 ounces of water (more or less--it's not rocket science, you know).  Gargling warm saltwater also helps.  Just don't swallow.  Blech!

Another warning about caffeine--it dries you out, and you'll need to stay hydrated for all of that dancing.  (One thing: if you usually start the day with coffee or something, still do that.  We don't want you getting a caffeine headache either.  Use discretion and moderation.)

DO eat a balance of protein and carbs, plus fruits & veggies.  Take your vitamins.  Stay hydrated.  Get some good sleep.  (This all goes for us directors too.)  ; )

New London Summer Theater

Just in case you haven't had enough theater, some of you might be interested in this (see Musical Auditions, halfway down the page):

http://www.postcrescent.com/article/20120419/APC0904/120419072/Theatrical-troupe-planning-productions-holding-auditions-musical?odyssey=mod|newswell|text||s

Notes from April 24 Rehearsal - CLS

Just a few quick notes tonight -

You guys have all been working so hard and you're doing a great job!  We're almost there!  We Can Do It!

A general note:
We need to have the standing mike down as low as it goes in the first Act 1 (for Tiny Tappers and Harmony Brothers) and back up high again for Act 2.  Is there someone who would be willing to be in charge of setting it up for each act?

Also, I meant to check this but I forgot.  Did we lose our masking tape mark for where people should stand when they're in the middle, where the chairs should go and where the riveters should start?  It seemed like everyone was more forward again.  But I could have been mistaken.  I'll have to check that.

During Jitterbug - the hostesses were off in getting into position when you separate.  You need to get into your position faster.  And be sure to look at the audience as you're moving across the floor, not at the other dancers.  And SMILE!

Harmony Brothers - Move closer together when you play your song.  Cluster around the microphone.

G-men and Taylor Sisters - you seemed to be off on your lines.  Go over your scripts for your scene together.

Floyd & Betty - Talk to each other (or at least pretend to)!  :)

We need a coat for Professor Sullivan to give to Ruth.  I've totally been missing this one the whole while.  It  might be possible to use one of the trench coats.

Scene 12 background people - remember - not too complicated poses for when you're frozen and don't actually speak to each other.  Just pretend to talk.

Guys who are hypnotized - Can you put the chairs back when you're done?  It's awkward for the Taylor Sisters to have to do it and also get in their spots.

MP's - Remember to talk to the audience!  You were talking into the curtains a few times again.  Be sure to go over your lines again, too.

Again in Slap That Jukebox - be sure you're looking out at the audience and not at each other.

Erin - Perfect timing in starting the conversation after the song.  Most of the action was over, but there were still a few people on stage.

Mrs Kluge discussed this after rehearsal today, but just to remind Carl, Leo & Floyd to back up a little during Never Gonna Give Up, so there's more room for the girls to be seen.  Also, I'd like to see you guys reacting more to the girls dancing - they're winning you over to their point of view with the determination in their dancing!  (James & Brendan - you're doing a good job)

Just as another reminder - not so noisy and don't bump against the curtains when you're offstage!  Especially during the interrogation scene!

Harmony Brothers:  Before Hey America, you should all exit off the stage on the left side and then go out the door to get into position.  Don't go to the right side of the stage and don't jump off the stage, please.

Tiny Tappers - you can get up a little sooner and surround Kitty faster.  Move in around as she's saying "The Fuhrer will give me a medal".  Grace, you can say your part as soon as everyone's around her.

That's it for now.  Everyone - try to get a couple of good nights' sleep.  Take Vitamin C.  Wash your hands often.  Take care of yourselves!

Added:  We'll try to work on Jitterbug Saturday Night at about 11 on Thursday.  Some of you might have to miss it, but we'll just do the best we can  There might also be some time to work on a few other dances after that.

Tricky Spots in Songs

Jitterbug Saturday Night ~ Guys' Part

Spies ~ Government Agents' Part

Slap That Jukebox ~ Talking Part

I thought about making a video for this part, but I think it would work better if the five of you (Christian, Jordan, Israel, Brendan, & James) and I got together to go over it a few times.  At home, practice coming in at the right time, and we'll work on not rushing at rehearsal.  Remember, it goes...

"Don't forget to play the (rest) Flip Side (rest) 1-2-3-4-5-6-7-Oh my good golly...."  

Practice with the vocal CD until you don't have to think about it anymore.  Then, practice with the instrumental CD.  

Help Needed:

-At least one parent for each side of the stage to help the kids with cues (especially for the MP's) and to make sure everyone stays quiet.  There's a schedule at the school for backstage helpers for Thursday, Friday, Saturday and Sunday.  Each family is scheduled for 2 times.  I'll try to remember to bring it home so I can also post it here.

-Someone to hang a couple of posters.

-Someone to set up chairs in the Harmony Brothers and Tiny Tappers spots

-Mom to sit with the Tiny Tappers.  You may also need to help push the newsstand on and off during the show.  We'll set up a schedule for this.

-Mom to sit with the Harmony Brothers.  We can set up a schedule for this.

-We're going to need some dads, 2 or 3 for each show (hopefully Thursday, and then for sure Friday, Saturday and Sunday) to help unveil the flag during the veterans tribute. We can also set up a schedule for this


- Remember to bring the little boys who'll be helping with the flags.  I think what we'll do is have them stationed next to specific Harmony Brothers.  Afterwards, the Harmony Brothers and the little boys can meet in the back corner.  I'd like to have a mom back there to gather up the boys.  You could either distribute them back to their families or sit with them in the Harmony Brothers spot until after the show.  This could be, but wouldn't have to be, the same mom who sits with the Harmony Brothers.

-We are set to have sound and lights on Tuesday.  If you can help with mikes, I think we'll be able to put you to work.

***Every family needs to stick around after the final performance on Sunday to help clean up.  This will not be as exhaustive as at the Mielke Theater, but we do want to leave the auditorium in good shape.***

Make Up Stuff

I'm just putting in writing what we discussed on Thursday regarding makeup.

Every family will need:  black mascara (Avon), black eyeliner (Avon) and deep red lipstick (long lasting or lip stain - not lip liner.  I may have misspoken on Thursday).  We'll leave it up to the parents' discretion if you want to use yours from last year or not.

We have some mascara and eyeliner available for purchase for $5 (includes both of them).   You can pay Mrs. Schuler the $5 directly.

You need to purchase your own lipstick or lip stain.  (Again, deep red - NOT bright red).  Generally, family members share the makeup.  We'll put each family's makeup in a ziploc with your family's name on it.

Each person will also need to bring their own comb.

I hope this all makes sense.

Shawano Leader Article!

In case you haven't seen this yet:

http://www.shawanoleader.com/main.asp?SectionID=5&SubSectionID=30&ArticleID=31520

The print article was on the bottom of Friday's FRONT PAGE with our lovely Bergmann sisters gracing the right corner.  = )

Also, members of the families Conto, Boughton, Hintz, & Green attended the ConBrio concert on Friday night.  We all agreed it was fun and gorgeous with a beautiful gospel message drama.  Our very own Elena is a ConBrio member, and she did a lovely job!  (Make sure you rest up, Elena.  We can't have you getting sick now.)  Two more concerts will be held at the New London High School auditorium as follows:  Saturday at 7:00PM, and Sunday at 2:00PM.  Doors open a half hour before each show.  There is no charge, but you will have an opportunity to donate to ConBrio's ministry if you so desire.

April 19 Notes - CLS

First off, I LOVE, LOVE, LOVE how you guys have really turned on your characters in the last few weeks.  Every time I look around on stage, I see some great activity going on away from the main action.  I’m going to mention a few of them – but, really, you are all doing a great job.  Ellen – your Edith is terrific.  Your actions while Kitty is doing her routine are spot on.  Great job!  James and Brendan – your shenanigans during Never Gonna Give Up crack me up.  Sarah R. – I really like how Kitty sneaks on stage to send out her message. 

I was also struck while watching the Scene 31 video at how awesome it looks when the Taylor Sisters emerge.  It gave me goosebumps. 

There was some miscommunication between Clintonville High School and myself, but we will definitely have sound and lights on Tuesday.  Whew!!  We will also hopefully have a standing microphone on the bandstand.  Tiny Tappers – you’ll need to say your lines introducing yourself into the microphone.  Harmony Brothers, you’ll also need to introduce yourselves into the mike, then huddle around it to play your song.

We’re still having some problems with some of you not facing the audience to say your parts.  Try to always keep that in mind.

In Scene 14 (hypnotism scene): Girls in back (Macy & Naomi, I think) you can move in a little more to watch the action.    I have a note – girls in front of instead of in back of table – I’m not sure if I was referring to you two or not.  But if there are other hostesses standing behind a table, you can move to the other side.   Guys off to the side, you can move in about 1 ½ feet.  Angie is going to be moving from the right to center stage after “Did I do anything I should be ashamed of?” – be sure there’s room for her to get through.

Scene 16:  Hermione – I’ll try to get one of the brown magazines on the stand for you to hold while the other 2 hold the Life & Liberty mags.  I want their magazines to stand out.

MP’s – I’m still loving the tango!!!!

I was able to see the black curtain rustling around at different times while people were walking around in back – that’s a big no-no.  Steer clear of the curtain as you’re moving around.

When the MP’s are leading Kilroy away – exit off to the side, not the front of the stage.

Edith – the mop & bucket left standing were getting in the way a little.  Maybe you could have the mop & bucket in your first scenes, and then just the mop & dishpan later on, so it would be easier for you to carry off.  Or else - maybe one of the fellas could be a gentleman and help you carry something off.

Scene 20 – Female agents – I want you to enter from the same entrance as the jukebox will come in, so you’re not entering from the front and then moving back.  Lucy & Rebekah, you can move over to the center back, so you’re not blocked by the agents.

Agents – not quite so giggly about the aprons, ok?

Scene 26 – I like the idea of the agents picking up the pieces to follow Kilroy’s trail, but it’s not looking like that’s what is happening.  We need to tighten this up.  It looks like Micayla is picking up litter while the other agents are going after the bad guys.  Let’s try this:  Only have one piece of paper on the floor – go over the doodle so it’s extra dark.  Micayla comes in first and picks up the paper,  to inspect it, trying to hold it up so the audience can see the doodle.  When she sees what it is, she beckons the rest of you to come in to make the arrest.  It’s going to be very important to get the timing right on this, because if too much time is spent on it, we’re going to lose the effect and it’s just going to come across as sloppy.   Maybe as Hermione says “Food for fish”, Micayla could come in and finish up with all of the picking up, looking at it and motioning the others as Hermione is finishing up with “I’ll spread a rumor he’s a deserter.”  Does that sound ok?  We’ll try it on Tuesday, and see how it goes.  Remember – Don’t dawdle over the doodle! J (Try saying that 3 times fast!)

Scene 27 – Those of you in the background – try watching the musicians more.  You can watch them, visit with the people next to you, watch the musicians (or dancers), etc.    Riveters – when the microphone is on the stage, you can gather around it to sing. 

That’s it for now. Again, great job everyone!  I’m proud of each and every one of you and I really enjoy watching you.  These are all little points that are going to move this play to a top notch level!

Okay, now I’m going to watch Witness for the Prosecution.

Veterans' Table

Mrs. Holbrook showed us a framed 5 x 7 photo of her father in his military uniform (on Thursday) for the Veterans' Table.  If you're not sure what this is yet, it's a special table designated for our relatives who have served our country.  On her picture, she had made a small placard in the bottom right corner with the following information:

Rank & Name
Armed Service Branch
Where Based
Time Served
Relationship to Cast Member(s)

If you would like to submit a framed picture of your family member veteran(s), please bring them to Thursday's Dress Rehearsal (remember...9:00 AM!!).

If you have any questions, then please post in the comments below.

Music Notes: April 19

First of all...

WOO-HOOOOOOO!!!!!
Excellent job on Thursday!  I am SO proud of each and every one of you.  It's truly a privilege to work with such talented and hard-working young people as yourselves.  Awesome.  You make my "job" so fun.  = )

You are 90% there with singing & dancing!  (These comments are only picky little things.)

"Jitterbug Saturday Night"

• "Cut-a-rug" still isn't right.  Please practice with your Vocal CD.  
• Everyone, enunciate those verses!  We're getting more comfortable with the songs and relaxing our diction somewhat as a result.

"Kilroy Was Here"

• When the guys help the girls "jump" on "When you least expect it, he'll appear..." it's not all together.  Watch the clip (at the 6:35 mark) from Act 1 ~ The Whole Enchilada.  I'll let you correct that amongst yourselves.
• Hannah & Jordan, I was worried you were going to kick the lunchboxes today.  Start a step or two further back maybe?
• Nick, great timing on the last line.  You nailed it!

"Spies"

• I'll make a separate post for the Government Agents which will help you get that tricky spot better.  Stay tuned!

"Together We Must Stand"

• Please remember to put your hand on your heart or salute when it splits into Chorus 1 (We are one!) and Chorus 2 (My country...).  If you point upwards here, it will be very obvious.  Practice and think.   Practice and think.  Use your music CD (start with the vocal one, then do it with the instrumental).

"Slap That Jukebox"

• A couple fellas started "Oh my good golly..." a little early again.  I think I'll make a practice video for this tricky spot too.  Some of you have got it, but *all* of you need to start at the same time.
• Girls, you did a great job in following Bailey, and we got back on track quickly.

"Never Gonna Give Up"

• I wrote some incorrect instructions for your arm movements in the "Song Notes for Act 2" post.  I was right about when your fists should be at your shoulders, but I had "this" and "to" mixed up.  You should go DOWN on "this" and UP on "to".  Sorry!  You must've known what I meant though, since your arms were much more together today.  It was almost perfect!  Well done.

"Hey America, What's Cookin'?"

I know we went over the following things yesterday, but I want for you to have these reminders in writing:

• Snap on 1..3..1..3..1..3... at the start.
• Slap your hands on your knees on "doo daht", so you can do the "Bah-dahps" right.  If it helps, "doo" is on beat 3.  Instead of snapping there, you slap instead.
• When you switch lines on the verses, it's okay to swing your arms slightly forward & back, but keep them close to your body (not out to the side) so it's easier to pass each other to a different line.
• As you're singing, "Now thanks to you there's a ship afloat," I want you to start thinking about crossing your left foot over your right on "mer".  Anticipate.  Think ahead.

And now for the video of the Finale...hopefully the Final Finale!  = )

• Great job with parting after "G.I. Joe" and then coming back together as Ruth invites the audience to sing "America the Beautiful".  It looked nice and smooth--especially for our first time.  
• Sloane, we gave you far too many words to fit between "...good ol' USO---" and the Army theme song.  You could try something like this..."And now ladies and gentlemen, we present a tribute to our American armed forces!  Veterans, as we announce your branch's theme song, would you please stand--and if possible, remain standing?....Army!....(and so on)."
• Watch the tempo on the verses of "Battle Hymn".  Don't rush.  Put a hopeful look on your face on the last chorus.  

Something cute ~ The other night I told Samuel (4) to go up and start getting ready for bed and I'd be up in a minute.  He started climbing the stairs singing, "I'll be waiting for youuuuuuuuuu."  ; )  Do all of your families know these songs as well as mine does?

Mrs. Kluge's Notes for April 19

Great job today, everyone!  Here are just a few things.  Please comment that you've read them.  Thanks.

Lines got skipped in Scene 9, page 12.  With Taylor sisters and government men.  Everyone in that scene, please go over those lines.

Scene 10-12:  extras (government agents and reporters) you MUST freeze during the song.  Most especially our 2 reporters, you're still moving.  You need to actually freeze - as in don't move.  Just stare at your camera, the newpaper you're reading, the floor, whatever.  Dont' look straight out at the audience and don't watch the dance.

Also - try to not bump into the green curtain as you're moving around in that scene.

Soldiers in that scene - wait way off on the carpet so the audience isn't watching you before you actually are supposed to be on.

Our youngest riveter - I think character's name is Betty? - forgive me for not having everyone's names down - when you cross over to stand next to one of the boys, "talk" to him.  Otherwise there's no point in you going over to stand by him.  :)

BUT - those scene went SUPER well today!  Great job!

Lucy - I think it's scene 14 - when you go to call everyone in to watch the professor - start your cross a little earlier.  Your line "Boys and girls come and see...."  (however it goes - don't have my script right here)  you're saying it to the people offstage - so be close to the black curtain stage right to "yell" that offstage to people.  The line should not be given to the others standing center stage.  This is also the reason you need to start your cross earlier, so you can be to the black curtains faster.

Again - the response that the professor was here was lukewarm.  You all need to cheer offstage about the professor almost the same as you do about the jukebox.  Actually, since you're reacting from offstage, your voices don't carrry as well so you do need to be just as loud as the reaction to the jukebox.

I don't believe the slang "you guys" was used back in the early 40's.  I only remember hearing it once - when the Taylor sisters said "We called you guys".  I'll be watching for it in the future.

MP's - or their families - please go through their entrances with them.  They've got to be on time.

Soldiers - I like your reactions in the part I posted about Tuesday - when Kilroy is arrested.  You're getting upset about it - just don't go TOOOO far.  I like holding someone back, but it can't steal focus from what's happening downstage from you.

Also nice reactions with you boys down-stage-left during the dance the girls do after you meet the service women.

Scene 20 - REALLY nice when the large group of you all entered (after Gladys delivers the donuts and everyone else comes in slowly).  All your lines went quickly because you were all on the ball.  Nice job - review the scene again just to keep up the good work.

Jukebox song - it's really fun to watch you guys!  Especially when you're really smiling and having fun dancing.  Know the dance well enough that you don't have to think so hard in doing it but can just enjoy it yourself.

MP - after you've been arrested and you say "I thought you were USO hostesses" - keep that line toward the audience.  Today you said it to the green curtain.  :)

Scene 28 - government agents - when you come on in your aprons and the riveters wave to you - tuesday was funnier.  It was more a reaction of "Who Us?" and looking at each other when the girls wave at you.  Then you quickly leave the stage.  Talk to each other and see if you can remember what you did Tuesday differently.  It was still good today - but work on it together and see what you can do.  Just don't be "silly" about it.

Female government agents - if Mrs. Stuewer doesn't talk to you about your entrance when you go arrest Hermione and the MPs, talk to me about it before rehearsal next tuesday.

That's it!  Again - really, really good today!  Review your stuff over the weekend and we'll plan for an even better rehearsal Tuesday!!!

Notes from April 17 Video

I'm having computer issues today.  I haven't been able to watch all of Act 1, but I will post what I can for now.

You’re probably noticing that I’m having a number of you step back after I had originally had you step forward.  After a good discussion, Mrs. Kluge has convinced me that it really is awkward to have you placed too forward in certain scenes.

Scene 1:  Taylor Sisters – take 2 steps back when addressing hostesses and impressing upon them the importance of their roles.  Hostesses – make sure your reactions show that you are impressed with your role!

Scene 2:  Don’t Say No has an overall nice look.  Tiny Tappers – we’re going to try having you do this barefoot.  We need to make sure that you’re tap shoes are waiting for you back at your seat and you’re able to get them back on in time for Scene 6.  (Will need a mom sitting with them)

Scene 3:  Gladys the Riveter, etc.  – I love it every time I see you guys make your pose

Scene 4:  Just a general note – I really appreciate how you all have taken it upon yourselves to get in your USO positions during the street scenes

Scene 5/6:  Taylor Sisters – Step back more so you’re addressing your USO people better

Michael:  Great delivery and inflections on your lines!  But, we lost some of them because you were behind the hostesses.  Let’s have you say all of your lines down stage in front of the hostesses.

Donald:  You can step forward a little more when you say ‘Get lost!’

(Thank you, Mrs. Conto, for making the badge holders!!)

Female agents – I guess I had never focused on this before, but I really like your background acting before the Kilroy song!

General note:  Just a reminder that if you find someone blocking you, remember to step out of it.

Hypnotism scene – I know I had wanted the chairs moved forward, but we need to move them back about 3 feet so it’s among your USO audience more.  We also need more reaction from the hostesses when Kilroy becomes a chicken.  Good reaction fellas, Mrs. King and Ruth.

Scene 15:  Sorry, but we’re going to do some more rearranging here.  (Please see Mrs. Green’s note at the video).  Taylor Sisters – we’re going to have you sit in the 3 chairs left front.  Interact more as you’re watching the song. 

James, Macy & Marie – When you enter, go to the right front table area – There might only be one chair available.  If there is, James can sit in it, and Macy & Marie can be on either side of him. 

Kilroy and your group – move a little over to the left.

Brendan – I can’t remember where we had placed you and your group – is it over by the radio booth?  (We could use people there if it isn’t)

General note on the curtain – we need to make sure not to trap anyone with the curtain. J

Thursday's Rehearsal - Be There Early

I know this is pretty last minute, but I need as many people as possible to arrive early on Thursday (tomorrow).  We're going to have a reporter from the Shawano Leader there at 11:45, so it would be nice for her to be able to see the stage mostly set up when she arrives (or at least see everyone pitching in to get the stage set up.)  She's going to want to talk with some students, as well, so it would be good to have a variety of you there.

Also, she will want to be taking pictures as we're running through the play so that she can get a variety of scenes.  So, we're going to forego warm-ups tomorrow and start right in with the play at 12:00.

The doors open at 11:30, so if you can get there by that time, great!  Otherwise, be there by 11:45 and ready to go at noon!

CLS

Song Notes for Act 2

Okay, just one more post.  I thought about inserting my music comments in the video post, but I didn't know if that would mess up anyone who might be watching those videos right now.

"Slap That Jukebox"

• Great excitement before & after the song!  I actually had goosebumps!
• Your volume in starting the song was good--probably due to your exuberance.  = )
• Guys, "Oh my good golly" was MUCH better.  You came in perfectly, and only rushed a little bit.
• Ladies, if the guys rush their talking part during a performance, then watch Bailey on the "Hi-dee-hi-dee" part.  Then we can get back on track ASAP.  Can you all see her okay?

"Never Gonna Give Up"

• Great job of getting on stage ahead of time AND in your places as the song began!
• Your arms on "playin' this game to win" are off, and it looks a little wonky.  Use your "side vision" to make sure you match your neighbors.  Your fists should be by your shoulders at the underlined syllables as such:  Play-in' this game to win.  On "this" your arms should be fully extended up.  On "to", your arms should be fully extended down by your sides.  (Maddi, feel free to correct me if I'm mistaken on this.)  From Maddi: "On 'Never Gonna Give Up' your arms should be down at your sides for 'this' and up in the air for 'to'. " Sorry about the confusion, ladies.  I had it backwards.
• Balance between the three parts is *almost* perfect.  I could use a tiny bit more of 1st Sopranos.

"We'll Meet Again"

• When it's only Gladys and/or the Riveters singing, more of you should watch her/them.  The Riveters are the entertainment in this scene.  Sway a little more with the music.  Most ladies should have hankies with which to dab your eyes.  The audience doesn't know yet, but YOU know that the guys are shipping out tonight!  Waaaaaaahhhhh!
• When everyone comes in, it should be much louder.  Most of you aren't even dancing, so this shouldn't be an issue.
• Peter, you were such a gentleman when you helped Lydia down from the bandstand.  = )
• Char, should Lydia wear shoes for this?
• Good projection, Christian & James, on the guys' line.  Facing the audience is a great idea here.
• Riveters, you can give a sad little curtsy when everyone is clapping at the end of song.

"Hey America, What's Cookin'?"

• This was a little sloppy today--especially the changing lines parts on the verses.  I'm not sure what happened, but it looked like some people weren't lined up correctly?  Or maybe didn't switch to the correct line (front, middle, back) during a verse?
• Beginning of song:  Snap on 1..3..1..3..1..3.....
• Bah-dahp-bah-dahp was quite off.  Watch Brittney (Vida) in the video.  Notice when she puts her hand on her knees *before* the bah-dahp part.  That is key.
• I had asked the Riveters to sing along with "Got a job for you that's stable" to give the guys a little more support.  They're sadly outnumbered!  Mrs. Wilcox, I'd like for you to sing this part too, since you ARE Civil Defense.
• Anticipate your left foot crossing over immediately after "ship afloat!"  Watch Sarah B (Betty) on this part.
• Nice pop-outs on the last line!

"Finale ~ Don't Say No...America the Beautiful...Battle Hymn"

• We need to work on our redo, of course, but we're still figuring it out.  
• "America the Beautiful" was...well...BEAUTIFUL!  Very nice.  Goosebump material.
• Erica will blow the pitch pipe for Battle Hymn, and Bailey will start it.  
• The verses on Battle Hymn were a little rushed, but your pitch was excellent.  Just watch the tempo.

Act Two ~ The Whole Enchilada

Hi Gang!

This post includes only the videos.  I'll write up my comments later, so please check back.  I just wanted to give the other directors a chance to see the clips ASAP.  We rehearse again TOMORROW, so I hope you all can devote some extra time to Kilroy today!  ~ JLG

Scenes 20 through 24

Scenes 25 & 26

Scenes 27 through 30a

My camera battery died halfway through Scene 30,

but I had a back-up camera.  The rest of it is in the following clip.

Scenes 30b & 31

It looks a bit "earthquakey" at the beginning here.

Mrs. Kluge and I were trying to get the back-up camera

put on the tripod.  Try to ignore our whisperings.  ; )

Witness for the Prosecution (from Mrs. Kluge)

Hey all!  I meant to add this to the "big" list of notes, but forgot.  A couple thoughts about the movie "Witness for the Prossecution"  I mentioned at practice:

1) It's set in WWII - so the people, clothes, etc. are very relevent to our play.  This is set in London and a brief part in Germany, so there are some differences in buildings, etc. but as a character study, this is a great movie for that purpose.  (Plus, I think a lot of you older kids would really like it!  Evan and Marie have gotten into watching old movies with me and they like them too.)

2) For our cast members that are supposed to be from Germany - this has a great character to listen to for your accent.  One of the actors is Marlene Dietrich - very famous actress from that time period.  She's awesome!  Her character is supposed to be from Germany but moved to England.  In the story, she met her husband in Germany when he was a soldier, they married and she moved to England with him.  So this is a great example of a soft German accent - obviously someone that was from Germany but had spoken English so much that it wasn't a strong accent any longer.

That brings up a couple parts that I wanted parents to know about.  Again, I had no problem letting Marie and Evan watch the movie, but just so you are aware:  In the part where Marlene Dietrich's character meets her husband, they meet in a "bar" where Marlene is a singer.  There's one scuffle where the soldiers are trying to get her to show her beautiful legs.  Not a big deal, but her pant leg gets ripped.  Just after that, Marlene and her soon-to-be-husband go for coffee in her "apartment" and he does not leave.  So they don't show anything bad, but it's suggested.  Lastly at the end when the "mystery" is all revealed, there is a stabbing.  It is not gruesome at all, they really don't show much of anything, but it is there.  Certainly adds a twist to the whole story.  I don't want to give any more away to ruin it for anyone.  That's all - hope you enjoy it because it really is a wonderful movie!

Mrs. Kluge's Notes

Hello everyone! Many of these notes are meant for everyone - some picky sort of things. (I will put a person's name by a note that is specific - otherwise it's just meant for everyone.) But really, you should be proud of yourselves that that's all I have to make notes on - picky stuff. The show is doing really, really well and hopefully if you can take these notes and put them to use for your character, it will take our show to the "next level" - as the saying goes.

Don't say your line if you're crossing behind someone else. Give a pause for a second and finish the line when you've gotten to the other side of the person or group.

Don't giggle if you drop a line. Very obvious to the audience. Stay in character and correct what you are trying to say in the way your character would. Everyone mis-speaks at times, so there's no reason your character might not mis-speak too. But you MUST always be your character on stage, so just pause, react in a way your character would (if they would) and continue.

A couple people I want to point out because they are being so true to their characters - and an example for everyone are Ellen and Lindsay. There certainly are more of you that are doing great with your characters too, but the reason I picked them out today is that they really struck me as totally being their characters on stage. I didn't see them - I saw their characters. As I thought about it more, I don't recall seeing them drop character ever. If you have a chance to watch them, please do - but not so you miss anything you have to do!

I think this is mostly for the Tiny Tappers - and therefore mom's to pass on: Watch the loud marching when you're singing. It's one of the first songs the whole group does. I think it's Don't Say No(???) when everyone really marches in - and it's only at the beginning of the song as you're coming in. Later in the song when you're marching, you don't have to sing, so then it's not so distracting. So try to keep your feet a bit more quite in the marching as you come in the first time.

Scene 3 when our riveters come on - you looked like you were tired - acting tired in a good way, like you had a long, hard day- very believable. Very nice.

This concerns everyone, but I'm going to use Hermione as an example. (Forgive me, I don't mean to pick on anyone.)When on stage, always commit fully to whatever you're going to do. A gesture, a cross, some business your character has to do, whatever. (Mopping the floor, running the sound booth, taking notes from your boss.....) You have to commit fully to saying all your lines, so commit fully to your actions as well. A half hearted gesture just doesn't read well to the audience. You don't become as believable for them. SO - Hermione - when you're waiting for the girls to come talk to you for the first time in that scene, commit to your actions. If you're ignoring them and pretending to get the attention of other "people on the street" that we/audience can't see to come buy a paper - commit to doing that. If you're rearranging your news-stand, commit to that. If you're listening in to what the girls are saying - commit to that.

One of the riveters has a line about asking the foreman for overtime. Please stress FOREman. Not foreMAN.

My next note on my notepad was: Good Covers!! Same scene as above - I think it was the riveters that had some lines go funny, but because you knew what was happening or what had to happen next, you could quickly think of how your character might say something similar and you went on. Nice job!

Same scene - Hermione - when one of the girls says something about "Those spies would like to know about the ships getting ready to sail" - give a bigger reaction. That's exactly the info you are looking for! And at the time, the girls aren't really paying much attention to you - they're trying to quiet her down - so that's a chance you could really play up.

Everyone - it was during this scene with Hermione and the riveters as you're getting into place behind the curtain, we could really hear feet clomping around. Tip toe into place - and no talking.

Scene 4 with Jitterbug song...I know it goes fast, but when everyone is taking a turn dancing in the middle, we need more reactions from the people who are on the sides - whoever isn't in the middle at the time. Right now, I can see you all thinking about who's next and so on.

Scene 5 - very picky note, but one of the Taylor sisters after introducing Angie to someone (Mrs. King???) uses Angie's first and last name. I like the whole bit about everyone trying to remember Lucy's name, but does she have a last name you can use here too? Since you used Angie's last name?? I told you this was a picky one.

Rebekah - enunciate. I don't recall anymore about my note here, but something to keep working on. (Sorry if I spelled your name wrong!)

Tallulah - you did much better getting your line out before your cross upstage with the Tiny Tappers. Keep it up. When on the platform with them - after their little dance - face out front with your line "prasing them" not to the girls. Called "cheating" - turning toward the audience to say the line and then face the person you're talking to after the line.

Then I have Nice Kitty. It must have been your reactions to waiting for the Tiny Tappers and Harmony Brothers. You're consistant in that period and it reads well. Keep it up.

Good reaction to Mrs. Wilcox - even though she wasn't there, you all still had good reactions to her lines. Keep it up.

Scene 9 - Buddy - If you have a chair that's difficult to sit backwards in, don't worry about doing that. People will be thinking of you being uncomfortable rather than hearing your lines. Make whatever chair you have work the best for you.

Same scene - Gov. Agents and Taylor Sisters - when Angie comes in - NO ONE LOOK AT HER! Today she came in and acted like she had not known you were talking. She slowly moved away and then listened in to your conversation. It read really well, Lindsay. But if you Agents move your heads to look at her, it will ruin it for the audience.

Everyone - just a general note about that issue in the above paragraph. Mrs. Stuewer and I had a short discussion today that we didn't share with you about asking the audience to "suspend their disbelief". A theatrical term, if you haven't heard if before. This is one point where we ARE asking the audience to suspend their disbelief - that the G-Men really didn't see Angie. Of course  it's obvious to the audience that the Taylor sisters and G-Men really COULD see Angie - but the audience becomes "willing to suspend their disbelief".  They know it's important to the storyline.  For the most part in this play, we want our acting to be true to life - to relate to the real lives of our WWII Vets and others that lived through this time period. But there are perhaps a few times in the show, like this one, where we need to do something only for theatrical reasons that we're asking the audience to "suspend their disbelief". If you have any questions, ask me. Don't know if I put my words together well here.

Scene 9 still - the lines were fairly choppy - it went: line, pause, line pause, line pause. Please go through that scene so we can get it to go line, line, line, line.....

Scene 10-12 Valerie - Your line "Same as always" - along with your sister's actions all worked really nice - even your "improv" line. Good job - keep that stuff, girls!

When you girls go to "meet" the boys and have to "make room", don't ham it up too much.

Bailey - watch out when you're looking at the big poster Kilroy brings in. At the time, I was sitting in the front row and your entire body was blocked by the poster - cuz it's so big. That's when I ran to the middle (if you saw me do that). It was much better from back there, but still....if there are people in the front row, we don't want them to miss out.

Like I've said before (in reference to above paragraph still), if something "off" happens onstage, the audience will pick up on it and then that's what they look at until you can correct it. Like a hat or something dropped on the floor by mistake....they'll watch that until someone picks it up. They know it feels "out of place". Bailey - I know you'll find a good way to hand the big poster - just give it a little thought.

For the "extras" in scene 10-12: you're doing fine with what you're doing. Dont' do anything else bigger. Remember you have to freeze during their song, But my main note here was don't freeze in a wierd position. It can be hard to hold and you don't want the audience looking at you because you're wobbling. You can't watch the dancers and you cant scratch an itch. That's the hard part of being someone who has to freeze. Another time we're asking people to "suspend their disbelief" for us. Miss Conto and Miss Cary did a fine job with freezing there - you chose a safe pose you could hold and stayed that way all thru the song. Thank you.

Scene 13 - Lucy and Elizabeth Michael (sorry I don't always remember everyone's real name yet) Lucy stepped in at one point to shake hands with someone - that was fine, but then Elizabeth, take one step to your right to counter her move. (Sounds like chess!)

Kilroy / Sloan - you can't whisper a forgotten line to someone. The audience hears/knows and then it seems "silly". I don't recall what the exact line was, but you could even say things like, "I'm sure you're wondering/thinking..." Just to give you an idea of one way you can help cover for someone.

Lucy - get closer to the black curtains on the right before you yell your line about "come out here boys and girls". The 'boys and girls' you're talking to are the people off stage - not the ones at center stage. Start your cross a little earlier, perhaps - like you just got the idea that you should go get everyone and started crossing even before the other lines had finished. Time it out so you don't get to the black curtain too early, of course.

Everyone - when you answer Lucy there - don't everyone yell "Yahoo!" If you were all in a group - think of any example - a church group, a field trip with our group, you add some examples....do you think everyone in that group would yell "Yahoo!" all in unison at exactly the same time if your leader suddenly gave you a wonderful surprise? Say $100 just for being there? I don't think so. Think of some other way to cheer backstage. Just like you do when the Jukebox is brought on later in the show.

Scene 15 - I wrote "nice entrance" but then must have gotten distracted. I think it was the riveters coming on at the USO club. I remember that was nice. Keep it.

When you do the Rat-a-tat song - try to keep really Center, Center stage. Of course we're doing the whole play for the audience, but at this particular point we shouldn't have you "playing" to the audience. You're doing the song and dance for the Taylor sisters (plus others as they come in), so we don't want you too removed from them. This is one point we are not asking the audience to "suspend any disbelief" - so you should not be seperated from the Taylors. It's only a couple feet back from where you've been lately, so then you're in the same acting area as the Taylors. Plus if you're too close to the front of the stage, the view from the front row really isn't as nice of you. Not sure if I said that well enough to get my point across - ask me if you have questions. So, in order to get center-center, after Melba says "Watch" and the Taylor sisters go sit down, you can hustle up to CC - so your move to CC and the Taylors going to sit happens at the same time.

Scene 18 - Kitty - good job with the crying but getting lines out and running off.

Elizabeth - good job helping the messanger off stage.

Soldiers - when Kilroy is arrested - this note goes back to what I mentioned earlier about committing to your actions. As it's all happening, you cross behind some girls and end up up-stage-center. Christian I know has some lines here. Fully commit to your cross - get out from behind the girls. Your friend is being arrested! You wouldn't be holding back and just giving up when the MPs take him off. Make a strong cross to where Char has told you - only stopping because you realize "AARGH, we can't do anything to help him!" But we have to SEE you feel that way / come to that conclusion - and that's what makes you stop.

Right after this we go into Together We Must Stand. Sloan, you're setting the feeling really well at the beginning of the song. Just as with my notes to the riveters earlier, don't come too far downstage to sing. Stay Center-Center - we need you (Sloan AND the others 3 or 4  girls that join her) close to the rest of the cast so the audiences feels you connected to them. Again, even though we are giving the play to the audience - you're not singing this song to the audience, you're singing it to the other characters onstage - to bond everyone together, uplift them. So to have you too far away from them seperates you emotionally from them. At the end of the show when we sing America and Battle Hymn, we are singing to the audience but here we aren't. You girls will still be the focus of the song standing at CC just as Bailey and the girls are the focus when they sing their song "We'll Meet Again"  from the band stand later in the play.  Plus, when the rest of the cast joins you girls, currently you're backing up to get into your next place anyway - so this way you won't have to back up quite as much as you have been.  Did that make sense?

Everyone - and please pass this onto any Tiny Tappers (moms or siblings) - Don't worry about fixing how someone else is standing. You can't be fixing them during one of our performances, so don't do it now - even if they're wrong.

Scene 20 - Mrs. King - really like how you said your line today "Not that, sorry to say" - about the war being over.
Also - don't be afraid to really blow that whistle! The other's lines will make more sense if you've really made some noise with it!

Christian - good covering lines (cuz we were missing people) - you knew what had to happen and you helped things continue - just don't ham it up too much.

Getting into place for Slap that Jukebox - you guys really turned it up and followed Mrs. Stuewer's directions - nice job. Please continue ALL the way until you start singing the song though. A number of people kind of dropped that excitement that was going so well as you were going to your place for the dance, and then just stood there waiting for the time to sing/dance. Continue to act/react with the person next to you til you suddenly break into song/dance.

Buddy - I really liked how you said your line about being "headquartered in the kitchen". Try to remember how you did it and keep it!

Government Agents - boys and girls - you're building well in the part where you realize that something's gone wrong if there are that many "spies" and Kilroy's been arrested, but keep going! The next step after your realization that something went wrong is to be really worried! We need to see you get to being really worried (emotionally) - not just thinking "hmm, what's going on".

Good entrance Angie - Top of p. 40

Meridian - I've alway liked the way you're doing your character. Just really hit me today, I guess. You know your character, you've stayed true to how you think she would feel and I like the way you deliver your lines. Keep it up!

Scene 25 - Angie - I love your meniacle (sp?) laugh. you make me laugh every time. Thanks for committing to it and sticking with it!

Hermione - much nicer strong crosses. You've thought about how to fit that into your lines - just keep going with it!

Professor - make sure you're making some kind of strong action to make the others sing so it doesn't seem that you're all just staring to sing for some odd reason.

Scene 26 - when Female Agents come in - I know you came in early today by mistake cuz we were missing people/lines. But it gave me an idea that might help you "burst in" better to arrest Hermione and the MPs: Start to sneak in when one of the MPs says something about "wrapping Kilroy in chains and throwing him off a pier" - but stay way back in the corner - really bunched up - then "jump" into the action with the line "That's what you think". If you have questions, ask me before practice on Thurs.

Scene 28 - After the song and the riveters come forward, EVERYONE looks really good. such a nice visual - we're allowed into a personal conversation with the girls, but can see a real "slice of everyday life" watching the others in the background. You've all kept that interresting to watch because you're all committed you what you're doing then. Keep it up! Thank you!

Good job Male Gov Agents - when the girls waved at you - and you're in your aprons - your reactions were great! Keep it!

Valerie - if Christian is too upstage of you for your line "where are you going" just put your arm thru his and gently have him take a step down to you so you don't feel like you have to turn upstage to talk to him.

Everyone - much better with the saying "hello" to people at home during the radio show. But then keep up the energy as you move into place for the next song. Even though you're not still talking to the "people at home", you need to keep the energy going into the song by "talking" to the person next to you as you move to your dance places. Just like with my note on moving into place with the Jitterbug song. If any questions, let me know.

Kitty - if the tiny tappers are late surrounding you, just act like you're trying to find a way to escape. Not like you're trying to get them to stop you. It's a fine line.

Whew!  That was a lot!  If anyone has questions. let me know.  Thank you all for continuing to work SO hard.  Keep it up - the goal is almost here!

More Notes From Mrs. Holbrook (Last Thursday)

Here are Mrs. Holbrook's notes from last Thursday.  I'm sorry I didn't get them highlighted sooner:
CLS


G-men & gov. agent girls. I talked to you about your magazinesor newspapers during the spies song. Try to put them in your pocket or belt. I think that would be easier and look better than throwing them on the floor.

Here are a couple of places where lines were stepped on.
*Scene 5 pg 8. Ruth Jack, Fred, & Kilroy each have a line before you introduce the hotesses. 
*Scene 23 pg 41, Ruth Fred, Marion, Rita, & Boys have lines before you say your line before the song "Never Gonna Give Up".
*Scene 28 pg 49:Rachel before you say 'Almost time for our weekly broadcast.' Judy, Hazel, Fred,& Jack have lines.
*Scene 30 top of pg 54. Ruth, Marion, Fred, & Rita have lines before Kitty says: 'I've never danced better'. 

I give kudos to all of you for a good job overall on Thursday! Keep up the good work

From Mrs. Holbrook

This is the same thing Mrs. Holbrook wrote in the comments section of another blog post.  I'm not sure everyone checks the comments, so I copied & pasted here.  ~ JLG


"Hi everyone! It's getting better everytime we go thru it. I saw a lot more animation today. It's looking really good. Here are some of my observations:
Tiny Tappers, when you march in for "Don't Say No" be careful not to stomp, you can march without stomping. Remember that you have tap shoes on and they make a lot of noise. Practice marching at home without stomping. 
Scene 3 was really great, but that scene is played way over at right stage so you need to remember not to turn your back to the left side audience.
Scene 9; way to speak out to the audience, Elisabeth M. Buddy, Coulter & Henry great projection. Evan, can you speak up a little louder? I love how you're trying to have a British accent! Sloane, I know you can speak louder than you have been. Sometimes your lines get lost. Angela, great job picking up lines!
Scene 11; Good voice projection Jordan & Christian. Addie, Brittney & Savanna, choose a more interesting freeze pose. Also, when you freeze there shouldn't be any movement, no swaying or twitching.
Scene 13: Good job Lydia H. I love what you're doing with your character. Keep it up. Edan, you missed your big moment in this scene. Go over the script again and see where your lines come in. 
Scene 17: Agents please try to put your papers in your coats somehow. It looks really sloppy to be throwing them on the floor. Also,you don't want to step on them or slip on the when you're dancing. Otherwise you are all doing very well with that dance!
Scene 18: Great job Kitty & Edith! Nice and loud. Krista, wait until you're all the way out from the green curtain to say you line.
In Act 2 on top of page 36 there were some missed lines. June-Sandra.
Scene 30; Hannah H maybe you should stand up when you say your line Not Professor Sullivan? I was sitting in the front row and couldn't see you or hear you. 

You all are doing so well but I would hate for the audience not to be able to hear your great acting. Keep up the good work! 

One more thing, do you think you could all really belt out those songs? There are 60+ of you up there on that stage. Our hair should be blowing in the wind from all your voices, and you all sound sooooo good. Let the whole building hear you. See you all on Thursday. :)"

Act One ~ The Whole Enchilada

Act One is all I can stay awake for tonight, but I'll get Act Two on here in the morning.

Two words:  HONEY WATER.  Your voices are truly going to get a work-out in these next several days.  Put a little honey in your water bottle.  It will help soothe your tired vocal chords.  Make sure you are getting plenty of rest, and drink lots of water even when you're not at play practice.  Wash your hands often.  Take your vitamins.  Let's take preventive measures so nobody gets sick.  = )

My comments will mostly address musical scenes, so check later for feedback from Mrs. Stuewer, Mrs. Kluge, and Mrs. Holbrook.

Scenes 1 & 2

Scene 2: When everyone comes in, make your steps a little lighter--especially if you're wearing tap shoes.

On "everywhere you roam", make sure you go RIGHT FIRST.

On "G.I. Joe", make sure you LOOK LEFT FIRST while your RIGHT ARM is extended.

Scene 3

Good recovery on missed lines.

Scenes 4 through 9

Scene 4: Sing out right away please!

"Cut-a-rug" isn't quite right.  "Cut" is being held too long.  Check your Vocal CD.

"Hey there fella, gotta get" was lost a little bit.  Anticipate your words and sing out.  Take a nice draw of breath while the girls are singing "eight to the bar".

Guys, your hands should be behind your backs when you're doing that foot shuffle thingie.

Everyone, more cheering & clapping for the "dance off" part.  

Scene 5: A few lines were missed on page 8, which meant our hostesses didn't get introduced.  Great job being ready on the bandstand, ladies!

Scene 6:  You need a better sound person.  

Tiny Tappers, don't look at your feet when you're doing your kicks.  Look at the audience as much as possible, okay?  When you get back to your seats after this, that's when you should take off your tap shoes.

Scene 8: Timely entrance, G-men!

Scenes 10 through 12

Scene 11:  I like how you paired up into couples onstage.

The "Kilroy Was Here" drawing on the back of the poster should be darker, or have wider lines.  It's hard to see from farther back.

Scene 12:  Guys, anticipate your lines a little more.  The first few words of some lines are getting lost.

Hannah!  You brung it, girl!  (Check the 8:00 mark in the video clip.)

Nick, wait for the BOMP after "Yes indeed" before you start "Kilroy was here" (your last line).  Your timing was perfect on the other spoken part of the song.

Bethany & Christian, you two are too cute!  Great exits by all of you!

Scenes 13 through 15

Scene 15:  I like the peeking from behind the curtain. Cute.  When you Riveters come onstage, look around a little more.  You've never been here before, and you're wondering how you'd fit in here.

Rat-a-tat always makes me smile.  = )

Taylor sisters, the Riveters are basically auditioning for you here.  Perhaps you could sit a little closer together and whisper to one another?  One of you could have a clipboard to take notes on their act?  Point. Jot something down.  Nod your head.  Give "knowing glances" to one another.  Tap, snap, or clap a little.

Scenes 16 through 19

Scene 17:  David & Alex, I missed you and your tango!  I love that part.

Government agents, I could hear you much better this week.  I could tell you were projecting more, and you had your faces to the audience as much as possible.  Practice that tricky spot though--after the Spies go "Shhhhhh" and you all have to come in without any music cue.  Your assignment, should you choose to accept it (and you'd better), is to practice that spot 5 times on Wednesday and 5 MORE times on Thursday morning.  You don't need to do the whole song.  Practice is the only way to get it.  You won't be able to watch me for the performances.

Scene 18:  I love everything about Kitty's dance AND what's going on behind her.  James and Hannah, you crack me up!  I love it!  Stage Right people did a great job too!

Scene 19:  Seriously, you need a better sound person.

THE LADIES NEED HANKIES!!!!!

Taylor sisters, during your trio, you don't need to be stoic yet.  You can still be warm & encouraging to each other here.  You're probably thinking of your brothers right now, and how much you miss them.  You could get the next Western Union Telegram about one of them!  Do side hugs.  Wipe a tear from a sister's cheek.  Smile through sadness at each other.  You're sisters, and you're close.  What do close sisters do to encourage each other?  You can save the solid determination for later in the song, when everyone else is singing with you.  I liked your hand extensions toward Gladys and Rose, when they each came to sing with you.  Nice!  

Stay tuned for the next exciting installment of......THE KILROY BLOG!!!